The composition of Impressioni In-Naturali

Authors

  • Federico Martusciello

Abstract

In this paper the processes that led to the composition of the piece Impressioni In-Naturali (for digital support and live performer) will be exposed. Special attention is given to the performance practice as a construction of the listening experience in an electroacoustically config- ured space and as a form of ecological awareness. It was also necessary to define an acousmatic form not fixed but adaptive to the context, underlining an active attitude highlighted mainly in live electronics. An analysis is provided of the choices of selection and structuring of the material at the microscopic level (realization of the synthesis sounds) and macroscopic (structuring of the generated material) and the practice of diffusion in relation to an informatic performance environment.

The conference logo. Text sits on a blue agate background, reading 'WFAE Conference 2023 Listening Pasts Listening Futures, March 23-26, Atlantic Center for the Arts, New Smyrna Beach, Florida USA. Logos for the Atlantic Center of the Arts, Stetson University and the World Forum for Acoustic Ecology are found below the text.

Published

2023-11-21

Issue

Vol. 1 No. 1 (2023): Proceedings of the 'Listening Pasts, Listening Futures' 2023 World Forum for Acoustic Ecology Conference

Section

Conference Music