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Here is a small selection of new feminist
titles. Do you have a great new book to
contribute to our list? Contact info@thirdspace.ca.
Arts of
the Possible: Essays and Conversations
by Adrienne Rich. W.W.Norton & Company, 2001.
Hardcover $34.99 Cdn.
A fascinating collection of essays from the
last decade of the twentieth century that
trace Rich's engagement with her time, her
arguments with herself and others. These essays
search for possibilities beyond a compromised,
degraded system. They call instead on the
fluidity of the imagination, from poetic vision
to social justice, from the badlands of political
demoralization to an art that might wound
but not tear apart.
Turbo
Chicks: Talking Young Feminisms edited
by Lara Karaian, Lisa Bryn Rundle, & Allyson
Mitchell. Sumach Press, 2001. Paperback.
An energetic new collection of prose, poetry,
theoretical exploration, zines and photo essays
from a diverse group of young women. Themes
include the meaning of feminism for different
women, multiple identities of sexuality, body
image, approaches to feminist theory and activism.
Turbo Chicks is an insightful dialogue of
feminist thought and ideas.
The Laughing
One: A Journey to Emily Carr by Susan
Crean. HarperCollins, 2001. Hardcover $32.00
Cdn.
A fresh and unique exploration of Emily Carr,
her influence on Canadian culture and our
fascination with her life. Crean uses historical
research, never-before-published material,
and fictional accounts of Carr's life to create
an insightful and valuable contribution to
Canadian art and cultural history.
We Gotta
Get Outta This Place: The True, Tough Story
of Women In Rock by Gerri Hirshey.
Atlantic Monthly Press, 2001. Hardcover $38.95
Cdn.
An in-depth look at the music and lives of
female rock singers that chronicles the stories
of artists such as Janis Joplin, Joni Mitchell,
Aretha Franklin, Patti Smith, Dolly Parton,
Madonna, Lauryn Hill and Debbie Harry. Hirshey,
who has been travelling with and writing about
musicians for many years, takes us on an insider's
tour of the music business and writes an evocative,
affectionate and feminist account of these
fascinating women and the music that drives
them.
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