The second part of our feature on feminist
publishers and feminist bookstores focuses
on three small presses. One of them is a
small Canadian publisher, not specifically
feminist but that has a strong focus on
women poets. The other two are independent
feminist publishers - one from the United
States and one from Australia.
I am hoping to make this a regular feature
in thirdspace
- in an effort to support feminist publishers
and small presses I will be including a
write-up about each one with a review of
a recent title from contributing authors.
In the next issue, I hope to have reviews
of Women and Sexuality
in Muslim Societies, edited by Pinar
Ilkkaracan and published by Women For Women's
Human Rights, a Turkish non-profit women's
organization; and an updated re-issue of
Not An Easy Choice:
Re-examining Abortion by Kathleen
McDonnell, published by Second Story Press.
If anyone is interested in reviewing either
of these books please contact me at kim
[at] thirdspace.ca.
As for feminist bookstores, you can find
an essay about feminist bookstores in the
United States in this issue by Kristen Hogan.
We also have a Feminist Bookstores guide
which has information and links to some
feminist booksellers. Please support
your independent bookstore and, if
possible, your local women's bookstore.
Feminist bookstores are few and far between
and without your support they will disappear
altogether.
Interested in any of these titles or presses?
Check out our feminist
bookstores guide for a site near you!
Featured
publishers and titles
EdgeWork
Books
When I tentatively emailed new feminist
publisher EdgeWork Books about the possibility
of receiving a review copy of one of their
titles, I did not expect to receive a package
that contained a complete set of current
EdgeWork books. The review you will read
in this issue of thirdspace
is of a book by Kim Chernin, one of the
founders of EdgeWork Books. The concept
behind EdgeWork, founded in 2001 by 12 seasoned
women authors, is to provide a venue for
publishing quality literature that was more
experimental and might not make it in the
commercial environment of mainstream publishing.
The founding members of EdgeWork books wanted
to work as a collective and build a community
of women through writing. Each season's
new titles are produced as a "round" and
each round is financed as a separate venture
with outside investors. The books go through
a system of peer review, peer editing and
literary salons. EdgeWork Books publish
a diverse collection fiction, biography,
and self-help books. Upon receiving the
first "round" I was very impressed with
the design of the books. They are mostly
all small hardcover books with simple but
attractive covers and beautiful cloth spines
- like the collective that produced them,
these books are designed to work together.
They would be a welcome addition to any
library or book collection. On their website,
EdgeWork Books state that they offer a home
for writers new and experienced to meet,
experiment and grow - I look forward to
seeing what new and exciting feminist work
comes out of the next "round." The EdgeWork
website is called a creative arts community
for women - please take some time and visit
it at www.edgework.com.
Please see Karen Dias' review of Kim Chernin,
The Girl Who Went and Saw and Came Back
(EdgeWork Books, 2002).
Spinifex
Press
Spinifex Press is an Australian feminist
press run by publishers Susan Hawthorne
and Renate Klein. It is dedicated to publishing
new and exciting work from the local, regional,
national, and international feminist community.
The work published by Spinifex Press is
also timely, and Hawthorne and Klein make
a point of seeking out or soliciting work
that reflects current world events, particularly
in regards to feminist scholarship, activism
and writing. One of their 2002 titles is
a good example - September
11th 2001: Feminist Perspectives
is the result of Spinifex Press's decision
to make women's voices heard about this
world-changing event. Spinifex Press publish
a wide range of non-fiction, autobiography,
academic books, issues around globalization
and development, health books, Asian and
Pacific literature, poetry, and fiction.
They are also dedicated to keeping feminist
classics in print and are supporters of
independent booksellers. There is a lot
of great information on their website -
www.spinifexpress.com.au
- and lists of all of their titles, past
and present. Please take some time to browse
through their site and ask about Spinifex
Press books at your independent bookstore.
Please see Katherine Buffington's review
of Marou Izumo and Claire Maree, Love
Upon the Chopping Board (Spinifex Press,
2000).
Brick
Books
Brick Books is a small literary Canadian
Press that publishes new and established
works by Canadian poets. On their website,
Brick Books describes their mandate as being
about seeking out and promoting interesting,
ambitious and compelling work by Canadian
poets. They publish 6 new titles and 1-3
reprints every year and their volumes of
poetry are beautifully designed. My interest
in Brick Books comes from the fact that
a large percentage of their authors are
women and much of the poetry published has
feminist content. As a special feature this
issue, we have a Review Essay by Michelle
La Flamme that explores poetry by Marilyn
Dumont in the context of feminist scholarship
and criticism. Please take some time to
visit Brick Books's website - www.brickbooks.ca
- and look for their authors at your independent
bookstore.
Please see Revisiting A
Really Good Brown Girl by Michelle
La Flamme